- Title
- Posthuman others in Twenty-First Century women's science fiction
- Creator
- Andonopoulos, Angela
- Relation
- University of Newcastle Research Higher Degree Thesis
- Resource Type
- thesis
- Date
- 2021
- Description
- Research Doctorate - Doctor of Philosophy (PhD)
- Description
- Twenty-first century women’s science fiction mobilises the posthuman imaginary—tropes like the hybrid, the splice and the technologically created monster—to challenge systems and ideologies that position certain individuals and groups as Others on the basis of their race, gender, biology or appearance. In this thesis I examine the different manifestations of the posthuman in five recent novels by women writers. I argue that each narrative questions the politics of the embodiment and the Othering of those deemed ‘nonhuman’ as a result of their deviance from normal aesthetic or biological models of the human. I analyse Marissa Meyer’s 'Cinder' (2012) as a young adult science fiction narrative in which the posthuman becomes an apposite metaphor for the female coming-of-age process, presenting a contemporary example of how fictional cyborg embodiment is being utilised to engage with notions of anomalous embodiment. I also examine depictions of posthuman coming-of-age in Mary E. Pearson’s 'The Adoration of Jenna Fox' (2008), a process that involves tensions between real and artificial, human and machine. I consider how Pearson utilises the posthuman to engage in questions of personhood and posthuman ethics, and whether ‘human essence’ can be located in the mind, body or soul. Julianna Baggott’s post-apocalyptic novel 'Pure' (2012) destabilises associations between ‘normal’ embodiment and definitions of the human: as I demonstrate, Baggott humanises various ‘fused’ hybrid figures and depicts new patterns of Othering emerging in a posthuman world. I also argue that Stephanie Saulter’s adult science fiction novel 'Gemsigns' (2013) mobilises the figure of the genetically engineered ‘splice,’ portraying an exploited underclass of genetically enhanced humans to explore the politics of the biologically deviant posthuman body. Finally, I discuss how Jeanette Winterson’s experimental dystopian science fiction, 'The Stone Gods' (2007) portrays repeating cycles of Othering—of nature, women, children and machines—to highlight patterns of exploitation and destruction. These five novels demonstrate how women writers of the twenty-first century use science fiction to present vastly different yet compelling portrayals of how humans are conceived of in posthuman worlds, offering new definitions of the human that encompass the marginalised Other.
- Subject
- posthuman; Twenty-First Century women; science fiction; women writers
- Identifier
- http://hdl.handle.net/1959.13/1432698
- Identifier
- uon:39092
- Rights
- Copyright 2021 Angela Andonopoulos
- Language
- eng
- Full Text
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| Thumbnail | File | Description | Size | Format | |||
|---|---|---|---|---|---|---|---|
| View Details Download | ATTACHMENT01 | Thesis | 1 MB | Adobe Acrobat PDF | View Details Download | ||
| View Details Download | ATTACHMENT02 | Abstract | 122 KB | Adobe Acrobat PDF | View Details Download |